Creating, producing and distributing audiovisual works in 2034: an AI-based scenario

Abstract

This article explores the scenarios of cinematographic, audiovisual and immersive creation, production and distribution in 2034, particularly related to the advent of generative Artificial Intelligence and machine learning. Starting from studies, experiences, innovative tools already in use today, an AI-based production chain is hypothesized. This should guarantee greater creative possibilities, better workflow efficiency, wider distribution of works and “democratization of technical quality”, thanks to savings in costs and time.